Giants: American Modern Masters
Group Exhibition
October 14 – December 17, 2010
  • Edward Steichen (1879-1973)            
    THE POOL – EVENING: A SYMPHONY TO A RACE AND TO A
    SOUL, 1899

    Platinum print, with hand-applied ink border, mounted to gray paper, mounted
    again to a large sheet of heavy buff paper, 7 ⅞ x 6 1/16 inches

  • Alfred Stieglitz (1864-1946)      
    THE STEERAGE, 1907
    Large-format photogravure on vellum, 12 ⅝ x 10 ¼ inches

  • Marcel Duchamp (1887-1968)                       
    MARIÉE, 1937
    Collotype colored pochoir, 13 ¾ x 7 ⅞ inches

  • Marcel Duchamp (1887-1968)                                              
    LA BOÎTE-EN-VALISE, 1966
    F Series, 16 ⅜ x 15 ⅛ x 3 ⅞ inches

  • Charles Demuth (1883-1935)             
    TREES AND HOUSES (PROVINCETOWN), 1916
    Watercolor and graphite on paper, 9 ¾ x 13 ¼ inches

  • John Marin (1870-1953)                
    DEER ISLE, MAINE, 1926
    Watercolor on paper, 14 ⅛ x 18 inches

  • Man Ray (1890-1976)                                      
    PAINTING, 1918-24
    Oil on canvas, 18 x 15 inches

  • Max Weber (1881-1961)               
    SOLO, 1918
    Oil on canvas, 24 x 18 inches

  • Edward Middleton Manigault (1887-1922)             
    TREE RHYTHMS II, 1918
    Oil on canvas, 30 ⅛ x 25 inches

  • Alfred Maurer (1868-1932)            
    LANDSCAPE, c. 1910
    Oil on board, 31 ⅝ x 24 ⅜ inches

  • John Marin (1870-1953)            
    TWO BOATS AND SEA, CAPE SPLIT, MAINE, 1941
    Oil on canvas laid down and tacked on canvas, 22 ¼ x 28 ⅛ inches

  • Edwin Dickinson (1891-1978)                                 
    VILLA ZING ARELLA, 1938
    Oil on canvas, 23 ½ x 28 ½ inches

  • Joseph Stella (1877-1946)                       
    STUDY OF THE BROOKLYN BRIDGE, 1922
    Watercolor on paper, 19 ⅝ x 16 inches

  • Charles Sheeler (1883-1965)            
    SAN FRANCISCO (FISHERMAN'S WHARF), 1956
    Oil on canvas, 31 ½ x 21 ½ inches

  • Arthur Dove (1880-1946)         
    FIGURE 4, 1945
    Oil on canvas, 18 x 24 inches

  • Marsden Hartley (1877-1943)               
    LANDSCAPE, NEW MEXICO, 1923
    Oil on canvas, 25 ¾ x 35 ½ inches

  • E. Ambrose Webster (1869-1935)                        
    FIGURE COMPOSITION, CARMEL, 1931
    Oil on canvas, 22 x 35 inches

  • John Covert (1882-1960)                         
    KABUKI TETRAD, c. 1916
    Oil on canvas mounted on panel
    4 panels, each 65 ½ x 17 ¾ inches; overall, 65 ½ x 80 inches

  • John Marin (1870-1953)            
    SEA AND BOAT FANTASY, 1944
    Oil on canvas, 28 x 34 ¼ inches

  • Stuart Davis (1892-1964)            
    Study for FLYING CARPET, 1942
    Gouache, crayon, and graphite on paper, 5 x 7 inches

  • Stuart Davis (1892-1964)               
    SKETCHBOOK 23-4 [STUDY FOR "RHYTHM - GEORGE
    WETTLING"], 1947
    Graphite on paper, 9 ¼ x 13 inches

  • Stuart Davis (1892-1964)                                     
    HOUSE AND TREE SHAPES, c. 1916
    Oil on canvas, 23 ⅛ x 19 inches

  • Stuart Davis (1892-1964)               
    CUBIST DRAWING (UNTITLED), 1952
    Ink and crayon on paper, 4 ¾ x 5 ¾ inches

  • Stuart Davis (1892-1964)                          
    BASS ROCKS #2, 1939
    Gouache and graphite on paper, 12 x 14 ½ inches

  • Charles Sheeler (1883-1965)              
    THE SPIRIT OF RESEARCH (STUDY FOR GENERAL MOTORS
    RESEARCH), c. 1955-56

    Tempera on plexiglass, 9 ½ x 6 inches

  • Charles Sheeler (1883-1965)                         
    BARN DECORATIONS (HEX SIGNS), 1959
    Tempera on plexiglass, 6 ½ x 9 ⅜ inches

  • Charles Sheeler (1883-1965)                
    UNTITLED (YACHTING), c. 1920
    Graphite and conte crayon on paper, 6 ½ x 11 ⅛ inches

  • Charles Sheeler (1883-1965)                                              
    BARN ABSTRACTION, 1946
    Tempera on paperboard, 21 ½ x 29 ⅜ inches

  • Charles Sheeler (1883-1965)                          
    STILL LIFE, 1925
    Oil on canvas, 12 ⅛ x 10 ¼ inches

  • Charles Sheeler (1883-1965)                           
    HORSES, c. 1955
    Gouache and graphite on paper, 10 ⅞ x 13 ⅞ inches 

  • Arthur Dove (1880-1946)                                                 
    BROWN BARN, 1935
    Watercolor on paper, 4 ¾ x 6 ¾ inches

  • Arthur Dove (1880-1946)                
    ACROSS THE HARBOR, 1932
    Watercolor and charcoal on paper, 5 x 7 inches

  • Arthur Dove (1880-1946)                
    FROM A CAUSEWAY AND TREE, 1942
    Watercolor on paper, 5 x 7 inches

  • Arthur Dove (1880-1946)                                                
    LADDER, 1934
    Watercolor and ink on paper, 12 x 10 inches

  • Arthur Dove (1880-1946)                
    WIND (NO. 1), 1929
    Ink and watercolor on paper mounted on panel, 18 ⅞ x 23 ¼ inches

  • Arthur Dove (1880-1946)                
    SWITCH ENGINE, 1937
    Watercolor on paper, 5 x 7 inches

  • Arthur Dove (1880-1946)                
    DERRICK (STEAM SHOVEL, PORT WASHINGTON), 1931
    Watercolor and graphite on paper, 3 ⅜ x 4 ⅞ inches

  • Arthur Dove (1880-1946)                
    WEDNESDAY SNOW, 1933
    Watercolor and charcoal on paper, 6 ⅞ x 4 ⅞ inches

  • Marsden Hartley (1877-1943)                
    FRUIT STILL LIFE, c. 1918-23
    Watercolor on paper, 6 ¾ x 9 ½ inches

  • Marsden Hartley (1877-1943)               
    WAXENSTEIN, 1933
    Sepia ink on paper, 13 ⅞ x 10 ⅜ inches

  • Marsden Hartley (1877-1943)                                                
    ALPSPITZE #2, 1933
    Graphite on paper, 10 ½ x 13 ½ inches

  • Marsden Hartley (1877-1943)                    
    WOMAN STANDING
    Pastel on paper, 19 ⅝ x 15 ⅝ inches

  • Marsden Hartley (1877-1943)               
    THE LITTLE ARROYO, 1918
    Pastel on paper, 17 ¾ x 28 ⅝ inches

  • Marsden Hartley (1877-1943)               
    THREE SHELLS, 1936
    Ink on paper, 10 ¾ x 8 inches

  • Marsden Hartley (1877-1943)               
    GREEN LANDSCAPE #3 (DOGTOWN SERIES), 1936
    Oil on masonite, 11 x 18 inches

  • Marsden Hartley (1877-1943)                                                
    THE WOOD SAWER, 1908
    Graphite on paper, 12 x 8 inches

  • Marsden Hartley (1877-1943)               
    GARMISCH, BAVARIAN ALPS, c. 1933-34
    Graphite on paper, 10 ⅜ x 14 inches

  • Alfred Maurer (1868-1932)               
    STILL LIFE WITH BANANAS AND POMEGRANATE, c. 1912-14
    Oil on gesso panel, 18 x 21 ⅝ inches

  • Edward Middleton Manigault (1887-1922)                       
    PEACHES IN A COMPOTE, 1922
    Oil on canvas, 16 x 20 inches

  • Edward Middleton Manigault (1887-1922)            
    FLOWERS IN A VASE, c. 1922
    Oil on canvas, 18 ⅛ x 12 ⅛ inches

  • John Marin (1870-1953)              
    NO. 4, FALL OF 1930, 1930
    Oil on canvas, 18 x 14 inches

  • John Marin (1870-1953)              
    SEA IN RED (VERSION II), 1948
    Oil on canvas, 22 x 28 inches

  • Alfred Maurer (1868-1932)                                    
    STILL LIFE WITH PEARS, c. 1925
    Oil on board, 21 ½ x 17 ½ inches

  • Alfred Maurer (1868-1932)               
    VASE OF FLOWERS, c. 1926
    Oil on paper mounted on canvas, 29 ¾ x 19 ¾ inches

  • Alfred Maurer (1868-1932)               
    PORTRAIT OF JANET, 1925-26
    Gouache on paper, 21 ⅛ x 17 ⅝ inches

  • E. Ambrose Webster (1869-1935)                         
    GREENWICH VILLAGE IN GEOMETRY, 1929
    Oil on canvas, 46 x 32 inches

  • Walt Kuhn (1877-1949)            
    STUDY FOR BLUE CLOWN, c. 1931
    Watercolor on paper, 15 ⅛ x 22 ¾ inches

  • Edwin Dickinson (1891-1978)               
    SHACK, PEAKED HILL BARS, 1955
    Oil on canvas, 8 x 10 inches

  • Edwin Dickinson (1891-1978)                                     
    APPROACHING STORM, WELLFLEET HARBOR (COVE
    WELLFLEET), 1946

    Oil on panel, 9 ¾ x 11 ½ inches

  • Edwin Dickinson (1891-1978)
    NINA'S MARSH, 1942
    Oil on canvas, 10 x 12 inches

  • Edwin Dickinson (1891-1978)           
    SELF PORTRAIT IN UNIFORM, 1942
    Oil on canvas, 24 ⅛ x 29 ½ inches

  • Edwin Dickinson (1891-1978)     
    COTTAGE POINT, SHELDRAKE
    Oil on canvas, 20 ¼ x 23 ¼ inches

  • Preston Dickinson (1891-1930)     
    STILL LIFE WITH CONDIMENTS (THE PROVOLONE CHEESE), c. 1925
    Pastel on paper laid down on paper, 17 ⅛ x 23 ⅝ inches

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